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The Classical Revolution: Thoughts on New Music in the 21st Century - Revised & Expanded Edition | Music Theory & Analysis Book | Perfect for Musicians, Composers & Music Students
$6.82
$12.41
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The Classical Revolution: Thoughts on New Music in the 21st Century - Revised & Expanded Edition | Music Theory & Analysis Book | Perfect for Musicians, Composers & Music Students
The Classical Revolution: Thoughts on New Music in the 21st Century - Revised & Expanded Edition | Music Theory & Analysis Book | Perfect for Musicians, Composers & Music Students
The Classical Revolution: Thoughts on New Music in the 21st Century - Revised & Expanded Edition | Music Theory & Analysis Book | Perfect for Musicians, Composers & Music Students
$6.82
$12.41
45% Off
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Description
"Rich in discussion-worthy arguments … an important contribution to musical aesthetics." — Die Tonkunst"An excellent and expansive view of where we now are in the larger world of contemporary art music." ― Academic QuestionsThese essays by a prominent composer offer a thought-provoking exploration of a current trend in classical music. Author John Borstlap advocates a departure from the atonal characteristics typical of modern music and a return to more traditional forms. He notes that new classical composers are increasingly successful in the central performance culture because they offer a fresh approach to the problems that persist in contemporary music, where an establishment with outdated ideas still dominates the production, reception, and funding of new music. Borstlap's treatise introduces new composers, reveals instances of institutional biases, and examines issues of cultural identity, musical meaning, and the aesthetics of beauty. In order to offer readers the most up-to-date insights, this edition of TheClassical Revolution has been newly revised and expanded by the author.
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This is a provocative essay which argues that modernism in classical music as it has been practiced since the time of Schoenberg has led to an anti-music (which he calls sonic art) which is of little or no interest to audiences, but has only survived because it is funded by a bureaucratic university and governments establishment. He notes that a new classical music with a return to tonality (among other characteristics) has been increasingly successful in attracting interest and audiences, and provides useful information to those who want to know more about the contemporary composers who are offering a fresh alternative which might reinvigorate classical music for the 21th century.

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